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The Sublime (Whitechapel: Documents of Contemporary Art) Simon Morley
Publisher: The MIT Press

If that wasn't enough contemporary art for you, check out the Whitechapel MIT Press Documents of Contemporary Art series. Morley, Simon, The Sublime – Documents of Contemporary Art, Whitechapel Gallery and The MIT Press, London, 2010. In 2010, three new books have appeared in the Documents of Contemporary Art series published by the Whitechapel and MIT: Chance, Failure, and The Sublime. The Documents of Contemporary Art are a series of anthologies co-published by Whitechapel Gallery and The MIT Press which document major themes and ideas in contemporary art. The Sublime: Documents of Contemporary Art. The Sublime (Whitechapel: Documents of Contemporary Art). But I try to picture a huge painting with only a few colors in front of me, I will just feel lost in its simplicity. The anthology forms part of a series 'Documents of Contemporary Art,' so as one would imagine the essays focus primarily on visual art but also encompass wider theoretical investigations into the sublime that should . Gilbert-Rolfe, Jeremy, Beauty and the Contemporary Sublime, Allworth Press, New York, 1999. To the contemporary sublime and provides a taste of key essays and books that can then be followed up by the reader. The Sublime (2010) Edited by Simon Morley Co-published by MIT Press and Whitechapel Gallery; available from Footprint Books. Since its genesis in 2006, the Documents of Contemporary Art series has been dedicated to providing diverse insights on particular themes by artists and writers from past and present generations who are curated, in a sense, by a guest editor in each of its Following Dillon's powerful Introduction, the “confused chronologies” in Ruins are arranged in four distinct categories: “Modernity In Ruins,” “The Military-Industrial Sublime,” “Drosscape,” and “The Future Now.